Another Full Day

January 13, 2024

Always blown away by the Architecture in Barcelona.

We snagged tickets to Sagrada Familia for 11:45 am and to The Picasso Museum for 3 pm. We decided to walk and saw some incredible buildings along the way.

This building was done in the Gaudí style, but wasn’t by Gaudí.
The entrance is on the Gaudí side of the Cathedral. He used friends and neighborhood people as models for the Nativity Facade.

The Cathedral is a combination of Gothic Revival, Art Nouveau and Modernista architecture. The two main architects were Antoni Gaudi and Francisco de Paula del Villar. The doors on the Nativity side of the Cathedral were created by Japanese artist, Etsuro Sotoo. Sotoo, a sculptor, moved to Barcelona in 1978. He mastered Spanish and converted to Catholicism. He has spent a large portion of his life laboring on the completion of the Cathedral.

Sotoo’s doors reflecting the natural world in keeping with Gaudí’s style.

The interior of the Cathedral is magnificent in a totally unexpected way. The thought, planning and imagination that went into representing the story of Christ is in the tiniest details. The cathedral was designed in the traditional cross configuration.

If you expand this photo that looks to be a mass of form, it resolves into words and characters.
The great hyperboloid covering the Apse is 246 feet in height.
The Transsept is the short arm of the cross in the classic style and the central pillars representing the 12 Apostles and 4 Evangelists. You can see the medallion representing Marc on a central pillar.
The upper tier is for the choir, their precarious looking seating extends around three sides of the nave.
One of the Chapels
Light pouring through the windows to light the interiors pillars.
The Crypt where Gaudi was interred.

We had talked about taking a taxi to the Picasso Museum, but decided to walk since we had plenty of time. The Picasso Museum is in the Southern part of the city, close to the Balearic Sea and the Gothic quarter of the city.

The Arc de Triomf. I guess Paris doesn’t have the only one.
Parc de la Ciutaadella
Miró and Picasso were friends that encouraged each other in their work. The museum is having a special show showing the parallels and differences in their work.

Miró went to Paris in March of 1920. He was expecting to have his first solo show there and arrived with a package from Picasso’s mother to be delivered to her son. This was the start of the friendship between the two men. Picasso gave Miró support, advice and even recommended Miró to his art dealer, Paul Rosenberg.

One of Miró’s earlier works depicting his families farm. Everything is given the same amount of detail and weight in the painting.
Picasso design for the stage curtain of the ballet Mercure.
Pablo Picasso 1926
Joan Miró 1934
The Kiss by Pablo Picasso 1925
Joan Miró, Pablo Picasso, Emili and David Fernandez Miró 1968
Miró started this large painting 1966 and finished it in 1973, the day Pablo Picasso died. It is inscribed on the back in Catalan, the language that he and Picasso often used together, “Homenatge a Pablo Picasso” (homage to Pablo Picasso).

Both artists worked vigorously into their 80’s and 90’s, with Picasso sometimes completing 5 painting a day. Their work diverged during their later years with Picasso’s work pushing the limits of, but never abandoning reality. While Miró’s paintings became more symbolic as he developed a language all his own, a universal language. The painting above shows a woman totem with a bird to her right and a star to her left showing the connection of earth to the heavens according to the exhibitions material.

This painting of the classic family configuration displays Picasso’s evolving sensuality in the nude woman.

Picasso presented his ceramic work publicly in 1948 in an issue of Cahiers d’art, in which Miró also appeared.

Plate by Miró 1966
The painting on the left is “Woman In Front of the Moon”.

The exhibit was very large and this is just a small sample of the many paintings by Picasso and Miró.

The Picasso Permanent collection was gifted by the artist to the City of Barcelona in 1970. This donation included earlier student work. Many of his pieces were kept at the family home in Barcelona.

Picasso’s “Science and Charity” This painting (1897) won a youthful Picasso his first recognition at the General Fine Arts Exhibit in Madrid.
Dovecote series was painted in Cannes 1957
1901 painting influenced by Toulouse-Lautrec.
Las Meninas 1957
The Piano 1957

Dusk was moving in when we left the museum. Back to Parc de la Ciutadella where we caught a taxi back to the hotel. At that point it was a 48 minute walk back to the hotel, which we just didn’t have energy for doing in the dark.

We managed to get a reservation to the Restaurant Antigua, probably because we were eating early at 6 pm instead of the European dining hours of 8 to 9 pm. It was only a 9 minute walk from the hotel.

Happy to be sitting down with a bottle of wine.

A highly decorated restaurant with good food was just what we needed.

2 responses to “Another Full Day”

  1. Marcia Benedict Avatar
    Marcia Benedict

    WOW!!!

  2. Beautiful photos of a wonderful day. This is the first I have been able to respond. My power went out Saturday. It got so cold at my house (30s!)that Jeanne insisted I go to a hotel. So I am at the Marriott on Oak.

    Sent from my iPhone

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